don't mention love... ([info]dontmentionlove) wrote,
@ 2009-06-19 10:28:00
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Entry tags:movie chatter

things i'd write about if i still wrote film papers
i know a lot of straight-up dudes who absolutely love Back to the Future, D included. i enjoy elements of the series, and by elements i mean mostly the fact that there is a time-travelling Delorean and the character of Doc Brown because Christopher Lloyd's portrayal is endearing and wacky and wonderful (memo to Andy Dyck: take notes! that is how it's done!). but in general i find that the film series has little of interest for me as a woman and a feminist. plenty of people have written about BTtF and revisionist history; i am certainly not the first to point out that these are, at their core, movies about men revising an already patriarchal world so as to better fulfill their patriarchal fantasies. for marty this is moderate rockstardom, and wealthy tennis-playing parents. well-adjusted in BTtF basically means reagan-era yuppiedom. i get that it's a marker of the times but it would have been nice if jennifer did more than pass out and lorraine had any interests besides snagging a guy. i love Mary Steenburgen as Clara Clayton but it's kind of ridiculous that the only woman who enjoys a moderate amount of mobility in the story resides furthest in the past.

also, the scene in Back to the Future part II where rich future Biff basically tells Marty exactly how to get the Almanac back with zero hesitation makes me want to tear out my hair. I guess you can wank it that he's still supposed to be stupid and a stupid person wouldn't figure out that it came from the future and so it might be possible to go back and undo that event, but seriously. Evidentally Future Biff should have read Watchmen.




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[info]pseudohistorian
2009-06-19 04:37 pm UTC (link)
Well, I would wank it that since Alternate Biff "knows" he's about to kill Marty, having been warned by 2015 Biff that someone might ask about the Sports Almanac eventually, it makes no difference whether he tells him or not--the same way he callously abuses that timeline's Lorraine without fear of consequences. This Biff has unlimited resources at his disposal and has never failed at getting anything he wanted; why would he think this would be any different?

(Besides, he's already essentially created a world close to that of Watchmen, with its own President Nixon still in power in 1985, but without superheroes to mitigate its Biff-as-Ozymandias.)

Having said that, most of the big mistakes made in the trilogy are a result of the characters' shortsightedness: Why does Marty forget what Doc just told him about what will happen when the DeLorean hits 88 miles per hour as he escapes the Libyans? Why put an unconscious Jennifer in a downtown alleyway in 2015 after bringing her along on the trip? Why race to catch a train when you've put Buford in prison and now have all the time in the world to get back to the future?

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[info]coco73
2009-06-19 08:15 pm UTC (link)
This was a great little read! It's been sooooo long since I've thought about BTtF and I had never really given this kind of analysis. I think you should do a weekly film deconstruction. Yes, I do.

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[info]aircrash
2009-06-19 09:22 pm UTC (link)
i really love your film analyses. *___*

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[info]chavvah
2009-06-20 03:40 pm UTC (link)
It's true that by helping his father to be more "successful," Marty automatically makes them (and by extension himself) filthy rich, a la American Dream. And what this says about his mother makes her seem even more ridiculously shallow: when her husband isn't super wealthy and a rockstar sci-fi author, she resorts to alcoholism and self-loathing? Boo.

I remember the first time I saw BTTF, as a kid, I was kind of horrified by the ending and how badly (I felt) Marty had screwed up his own life. How would he be able to live in a world where the family he knew and (presumably) loved didn't exist anymore? It wasn't until I was older that I realized it was supposed to be super awesome that he was living with a bunch of wildly successful and shallow strangers.

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[info]pseudohistorian
2009-06-21 07:50 am UTC (link)
In the DVD commentaries, Zemeckis & Gale acknowledge that their ending for the first film constituted a very 1980's definition of "success," but only European reviewers really picked up on it at the time...

Looking at the details, though, I'm not sure how "filthy rich" the McFly family is supposed to have become. They still have the same house, and Dave and Linda appear to still live there, even though Marty has the truck now. A Match Made in Space is George's "first novel," so I also don't know how much of a "rock star" he is in the SF world, although the movie suggests that George and Lorraine's yuppiedom is a good thing. Since Marty (and we as viewers) don't have any further contact with this version of the family until a brief scene at the end of Part III, there aren't many clues there.

It's interesting that you mention your horror at the ending of the first movie, since the opposite happened to me when I first saw Part II--I didn't get that Marty's life in the future was supposed to be bad. I mean, he's married to Jennifer, he lives in Hilldale (a neighbourhood that his teenage self finds very exciting), he gets along with his aged parents, and his son now comes home for dinner instead of going to prison, so what's the problem? It was only later that I noticed the signs pointing to Marty not living up to his dreams.

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[info]thepresidentrix
2009-07-08 06:43 am UTC (link)
Okay it's totally embarrassing that I semi-stalked you from Fatshionista back to this journal in the first place, but I thought you might enjoy this Totally True Story:

I didn't get to see the Back to the Future movies until I was fourteen or so. My parents had to give in and let us watch them after our one and only trip to the Universal Studios theme park. My baby sister got picked to sit in the fake Delorean at the special effects show, see, and none of us had any idea what the story was about. (She also got picked to hold the puppet dinosaur baby at the Jurassic Park show; everybody loved her, dangit!) I'll admit I was mesmerized by Back to the Future (I mentally composed two sequels, the first cleverly entitled 'Back 4 More') - though, no, it wasn't for the female characters. (I did kind of want Marty's mom's dress from the Enchantment Under the Sea dance, but that hardly counts).

But for *years* afterward I had adventure dreams where Doc Brown would randomly turn up. Like, there was one where he was the Faginesque leader of the gang of Lost Boys to which I belonged peripherally as the only Lost Girl, and in my dream I had to defeat a series of over-sized, venomous yellow insects in order to rescue Doc Brown from the arena where Captain Hook had him tied up in a chair. (I died of insect venom at the end, but not before completing my mission - and it was a noble death). In another one, I was trying to recruit a friend of mine into my resistance movement, and I took him to a dentist's office that I knew to be a front for enemy operations. Figured I'd prove to him that the government was corrupt, see? Only it was a trap and they injected my friend with nanobots that started turning him into a mind-controlled cyborg. Fortunately, Doc Brown showed up and helped me subdue my friend and take him back to our lab where the two of us, along with my Robot Sister worked to subvert my friend's programming until we could cure him of his cyborgitude. It was a good dream.

*sigh* I would like to have a Doc Brown adventure dream this very night...

ETA: I think I hardly noticed that Marty's parents ended up rich. I think I figured Marty was going to be so busy having time-traveling Delorean adventures with Doc Brown, he would hardly notice little twitches in his home-life, LOL.



Edited at 2009-07-08 06:49 am UTC

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